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a few of my favourite things...

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I haven't written anything that wasn't for university in a while, and I have a lot of half-written pieces for my blog that I don't have the energy to finish at the moment so in between longer, more researched posts, I have decided to introduce a little series called "a few of my favourite things". For this series, I will be discussing the various forms of art that have recently (in the last few months) sparked my interest, whether it be art, fashion, films, music, books or anything else that I have enjoyed. The other day I was going through the blog I had when I was younger and I would do posts similar to this but in the form of Zoella-style monthly favourites consisting of a few cheap makeup products I had bought from Superdrug that weekend and occasionally a book I liked. This series, however, is slightly different in the sense that it is a list of things I actually like and I am unlikely to talk about makeup since I wear the same mascara I have used for years a
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Dying for Art - An Exploration into the Beautification of Death

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Edgar Allen Poe once said, 'The death of a beautiful woman is, unquestionably, the most poetic topic in the world.' ... A rather odd thing to say, albeit a common feeling in the nineteenth century, and a fascination that has lived on; perhaps it isn't quite so romantic anymore. The romanticisation, or beautification, of death, has been immortalised in every form of art; painting, photography, fashion, literature, poetry, film, etc. In many cases, it is the beauty of a woman's death that is most sought after, most written about, and most portrayed in art. In this piece, with the focus on painting and photography, I will be exploring the representation of death in the works of the Pre-Raphaelite Brotherhood, and how a woman's suicide became a work of art. The magnum opus of paintings to emerge from the Pre-Raphaelite Brotherhood was Ophelia by John Everett Millais, 1851-52. Even those unfamiliar with the small group of painters in Victorian London recognise this bea
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Pearl (2022) - The Red Dress Reframed

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The red dress has been a symbol in cinema since colour film was introduced. Think Marilyn Monroe and Jane Russel in matching, dazzling red dresses in Gentlemen Prefer Blondes , Nicole Kidman in her sensuous satin red gown in Moulin Rouge , Julia Robert’s beloved red dress in Pretty Woman , or even Jessica Rabbit’s sparkling attire; the list goes on and on. These red dresses all have one thing in common, they represent a certain type of woman in film or signify a shift in a storyline or in a character's narrative. Often the red dress represents the sexuality of a woman, charging her with power and confidence, the wearer is ambitious and knows what she wants, if not always femme-fatale, but certainly femme-audacious in her show-stealing red dress. As bell hooks said, “She knows that red is the colour of passion, that a woman in a red dress is sultry, sensuous, that a woman wearing a red dress had better look out.” These acclaimed female characters in red dresses are unforgettable an
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